Narrow your search

Library

KU Leuven (2)

EHC (1)

KMSKA (1)

LUCA School of Arts (1)

Odisee (1)

Thomas More Kempen (1)

Thomas More Mechelen (1)

UCLL (1)

UGent (1)

UNamur (1)

More...

Resource type

book (2)


Language

English (2)


Year
From To Submit

2020 (2)

Listing 1 - 2 of 2
Sort by

Book
Parables in changing contexts : essays on the study of parables in Christianity, Judaism, Islam, and Buddhism
Authors: ---
ISBN: 9789004416963 900441696X 9789004417526 9004417524 Year: 2020 Volume: 35 Publisher: Leiden, The Netherlands ; Boston : Brill,

Loading...
Export citation

Choose an application

Bookmark

Abstract

"In Parables in Changing Contexts, new venues in the comparative study of parables are addressed by scholars of Judaism, New Testament, Buddhism and Islam. Essays cover parables in the synoptic Gospels, Rabbinic midrash, and parabolic tales and fables in the Babylonian Talmud. Three essays address parables in Islam and Buddhism. The volume shows how parables are suitably adapted in terms of form and rhetoric to enhance religious identity formation. Parables serve as media, as sensational forms making the sacred present, albeit encoded or riddled, in all cases invoking the listener's active interpretative participation and cultural imagination. Adapting a multidisciplinary approach to these gems of storytelling, parables in a particular way provide new insights in the cultures that produced them".


Book
James Ensor : the Entry of Christ into Brussels in 1889
Author:
ISBN: 9789053254660 9053254668 Year: 2020 Publisher: Antwerpen Petraco-Pandora

Loading...
Export citation

Choose an application

Bookmark

Abstract

During 1889, Belgian artist James Ensor (1860-1949) painted a monumental canvas that would be his magnum opus: 'The Entry of Christ into Brussels in 1889'. The work is one of the most complex paintings ever painted. It is only forty years after its completion that the monumental canvas was first publicly exhibited at the James Ensor retrospective at the Brussels Palais des Beaux-Arts in 1929. Needless to say, therefore, that the exhibiting of Ensor's work in 1929 was for many a revelation. Until then it had been seen and was known only to a limited group of visitors and insiders. Between 1889 and 1929, a veritable revolution had taken place in the visual arts. Before and during World War I, Fauvism, Cubism, Futurism, Expressionism, and Dadaism all came into being. Few explanations can accommodate the full daring and frenzy of such a painting which chaotic composition and barbaric style seem revolutionary, and look far beyond the early twentieth century. Since the purchase of the work in 1987 by the J. Paul Getty Museum (Los Angeles), The Entry has acquired cult status. No other work depicts the notion of belgitude so aptly as 'The Entry of Christ into Brussels in 1889', and yet the painting can in the first place be regarded as a somewhat quirky but striking representation of Ensor's vision of humanity.

Listing 1 - 2 of 2
Sort by